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Thursday, November 9, 2017

Interview with FAECES ERUPTION

FAECES ERUPTION a goregrind project from the Netherlands first appeared in the mid 2000ths and went to hiatus after a couple years. Recently the project was revived and when I heard the new split tape with ONIKU I decided it's time for an interview too.


⍰ First off what made you decide to bring back the project after almost a decade of inactivity? What music are you usually listening to these days? How do you think did the scene change during your absence?

➤ I think it was in February 2016 that Amos (Uterus Productions) or Jangore (Proctalgia) contacted me on my personal FB page to ask if there was an opportunity to do a split CD together. I’d dig into the FxEx tuff on my computer and compiled 2 recordings for the split CD. Somehow this all triggered to listen to some grind stuff again and my hands started to itch to be honest..

A few of my alltime favorite bands that I’ve listened to since 8 years or so now are Tool and Muse. Both inspire me to make music and be open about any subject you want to write songs or song titles about. I think it’s very good to use music to send a message. And as for grind, I’ve always liked bands as LDOH, Regurgitate, Dysmenorrheic Hemorrhage, Nasum, Blood I Bleed, FUBAR, etc…. that never changed, I only didn’t listen to it that much.

About the scene changing.

At first it was hard for me to find a way to reach people again. A lot of labels I was in contact with nearly 10 years ago, are not around anymore and there are a lot of new labels again. I decided to check out on facebook what’s going on these days and quickly made some new connections again.

So I think the part that definitely changed to most is the Social Media part wich was new for me with the music.

Also what I saw on some live shows I checked was that a lot of people dress up in silly costumes when they go to a concert or festival. In some cases I couldn’t even see the band play anymore. All I saw was a lot of people with swimming pool gear like inflatable tubes and ducks!


⍰ What equipment are you using to record your stuff? Is it the same you were using back then?

➤ The only thing I use that is the same is the pitch pedal and the bass distortion pedal, but not exactly the same effects.

Further I use the same drum computer, but this time I’ve sampled the audio into single hit samples and I cut and paste it all together into Cubase together with some other crash and cymbal samples I want to use.

I don’t have the same guitars anymore either

-Guitar pedal – Digitech Genesis 3
-Pitch – Digitech Genesis 3
-Bass pedal – Zoom 505 II
-Drumcomputer – Zoom RT-123
-Guitar – Richwood RE-125 Les Paul
-Guitar 2 – Cort (G Series)
-Bass guitar – Cort – C4 H

I all record directly without amps in Cubase 5


⍰ In many goregrind projects people are trying to break as many taboo topics as possible. What do you think about it? Where do you draw the line?

➤Everyone has to write about what they feel they should write about to be honest. Some subjects shock me as a person because of private situations and life ethics. Each time those themes come up, something in me cringes…

That’s why I have a complete different subject for the new releases. I’ve always been interested in Sci-fi and the paranormal, wich has always felt pretty normal to me.

The “normal world” we live in seemed stranger to me than the idea that Extra Terrestrials walk among us for instance.


⍰ You played a bunch of live shows when you first started your project. Are you still looking forward to play shows again now that you’re back? How is the scene in your area?

➤ I think I did 3 live shows with Faeces Eruption somewhere around the time we played with DxFxRx. Always with a few guest artists on vocals because I simply couldn’t do the vocals and play guitar at the same time back then.

I am not sure if I will do it again in the future. The feeling to want to go on stage is there, but than it would be a full setting. Not just me on my own, or with a non-rehearsed guest artist.


⍰ You have to forever ban one element of your project! Which one would you pick and what would you replace it with: Drum machine, pitch shifter or grind riffs?

➤ That’s a very hard question because sometimes I think switching to electronic drum (wich I have to go and practice then, I wanted to be a drummer since I started making music).

But also I enjoy listening to my tracks without the vocals also and I don’t miss them. And as for grind riffs, I don’t think that is a thing because I think you can fit a lot of different riffs in a grind song. It doesn’t have to be a Beatles riff or whatever, but you can use deathmetal riffs or something like that for sure!

Hmmmmm I think I’d drop the pitch and go on clean grunts and screams.

I can’t drum that well and I struggle on doing the vocals since it has been a long time and my throat itches very badly after recording.


⍰ Name five albums you’d pick when moving to a lonely island, and one song that would play on your grave!

➤ Muse “Origin Of Symmetry”
Muse “Absolution”
Muse “Resistance”
Tool “Lateralus”
Tool “Aenima”

There are a few bands and Cd’s that really opened up a different perspective on things, life in general, for me. Especially the Lateralus album bij Tool has always felt as a spiritual Journey from start to end for me. We all experience some sort of grudge in a way it is keeping us bussy and after that we feel sort of sorry for ourself. So we become the patient with the “disease”, where we need to heal from. We discover we are getting detatched from ourselves and each other and we need to find another way to fit the pieces back together.

On the cd there’s a track called Parabola wich, for me, is about we choose to be in this human body, and that we choose to be on this journey. That we should be thankful for the life we have, how difficult it sometimes is, because we’ve chosen it.

The song Lateralus is about we are devine entities on a journey from a black and white infant perspective and blossom to a spiraling positive energy and “still be a human”

The feeling I have with the song Reflection, is hard to explain but to me the song is about being in a very low energy pitiful place and time in life. A moment where you may find peace within the emptiness. On one moment “the moon tells me a secret”, and you see a million light reflections pass over. When you pull your head out that space you’ll come to find that you don’t want to feed the narcissism and blind negativity anymore and that you must crucify the ego, before it’s too late. And you will come to find that we are all one mind, capable of all that's imagined and all conceivable.

And I think Reflection would be the song wich always stays with me the most, and has been stuck in my head for a long time wich will fit my future cremation very well.

It shows me the reason why I had to step back from the grind-scene and my life in general to seek who I am and where I am going in this ocean of chaos. To wander around and seek for the truth wich I always felt was not what was fed to me from the start of this life.


⍰ Thanks for the interview! Final words are yours!!

➤Thank you for doing this interview and come up with good questions!
Thank you for being interested in me and my music.

Never stop what you do best until you become even better at it and always try and find a way to push the envelope.

We Are One





Discography (new stuff only)


  • 2017 split CD with PROCTALGIA
  • 2017 Altar of gross pathology (tape)
  • 2017 split tape with ONIKU


Info/Contact



Interview with PULMONARY FIBROSIS

If you are listening to grind and never have heard of PULMONARY FIBROSIS then you surely must have lived under a rock! I first heard them on the split with ULCERRHOEA back in the day, and now, almost 20 years later, they're sounding better than ever! Reason enough to do an interview with Guyome....


⍰ You started this band almost two decades ago. In the early days you were still the guitar player in the band. What made you switch to drums? Any advice to new drummers?

➤ Hi Ron, exactly, i started the band on guitar & vox, i showed already some drums patterns to the first drummer as he wasn’t into grind & just started to play drums. After 1 year he left the band, i found a drummer but after few shows he left as well. In my region there wasn’t people into goregrind & extreme music, so musician was hard to found. So in 2001 i started to play drums on a musical event in the street, we just rehearsed some songs in the new guitarist appartment, that was lot of fun & our actual bassist was taking the bass just for this event too, quiet noisecore haha.

Well i guess the actual young drummer don’t need help from me, they’re all very good, studying with teachers, playing with click in the ears. But they miss a big part, the musical way, drums is an instrument & need to be drive with passion & kind of love haha. They just do it as a competition to be the fastest & cleanest drummer. I use to say that i’m not a drummer, just a player, for passion & not to reach those 300bpm with click in my hear. As well practicing in a band is the best way to get a very unique music & style.


⍰ You’re one of the few bands that doesn't run a Bandcamp site. What do you think about digital distribution and YouTube - as opposed to physical releases?

➤ Well we don’t have free time to manage all unreal stuff, we rather like to play live & recording materials as a real band together. Maybe i will find time to start a bandcamp page asap, but till then the trend will surely changed haha. Well i think that the question isn’t anymore if it’s good or bad, it’s just a part of our life now & most of all people use it, so we have to follow. I personaly don’t really like mp3, but it’s good to keep your tapes/vinyls/cds safe at home & then running your mp3 wherever you want on your small player. But they’re will still be underground maniacs buyers, real format will still be the best & far more ecogolical than thousand servers running all the times !!!

⍰ What is closer to the truth: “Grindcore is protest” or “Grindcore is fashion”? What does grind or in particular goregrind mean to you? You got anything to say for the political correct fraction?

➤ Good question haha. Grindcore is maybe dead since few years, as well i don’t see any grindcore band anymore, i’m maybe too old for that but most of those actual grindcore bands don’t got the spirit & don’t write/play grindcore, they just think to do it. But there is still some new great bands, but they play in the old school way haha. Actually for many people, grindcore & goregrind are just stupid & retarded, funny with balloons & shit. That’s the way the actual scene is & it’s hard to be away of that when you tell that you play grind !! Some french grind bands just spit on us because we play goregrind, so it seams that we are misogynist, wtf ?? Those guys are sniffing cocaine, beat their girlfriends, stole money, without any respect & we are misogynist or stupid because we play goregrind ?!! Carcass started the style longtime ago, then followed Haemorrhage, Last Days of Humanity, Dead Infection, Regurgitate, etc… That’s fucking true goregrind in the serious gore way, to protest like grindcore did at the same time. We are just playing for passion, to meet new people, mix culture from all around the world & spreading sickness on stage.

⍰ What is the most underrated goregrind band, and what would you tell people about them to wake some interest?

➤ Purulent Spermcanal is one my favourite band from Ostrava (Czech Republic), they released 3 awesome pornogoregrind albums & ended into a more grind/rock style with the last one. There is another Czech band who released 2 great albums called Umbrella. The Czech scene in the ‘90s was so awesome & inspired me alot.

⍰ There's always been a few interesting bands from France. What can you say about the development of your scene from the old days up to now?

➤ France was never the country of metal or even rock music, but we had great bands & still have few ones. The goregrind scene is almost desert, Blue Holocaust/Vomi Noir & Pulsating Cerebral Slime got the true spirit. There is more modern goregrind, groovy/slamming, that’s not goregrind for me. Grindcore is a little bit more present with Blockheads, Inhumate, Unsu, Yattai. Sublime Cadaveric Decomposition still mix different style since few years & we are glad to share again stages with them, even if i like more their past stuff. Well the french scene is very active, very good quality bands, but they’re all want to be famous & getting money. In the past all bands asked to play, now it’s difficult to get local bands to opening for a touring one because they ask more money that the one on tour, that drive me crazy.

⍰ What's your top 5 horror movies and what exactly is it that you like about each one?

➤ Bad Taste for being the best one ever, then Brain Dead for being the second best one haha. Texas Chainsaw Massacre for the putrid & oppressive feeling, the Night of the Living Dead for the dark feeling & one of my first zombie movie ever. Dawn of the Dead for one the best zombie movie ever. Those are classic horror movies that i worship, Bad Taste is really my fav of all time.

⍰ Thanks for taking your time for this interview. Any final words? What new releases can we expect from P. F.?

➤ Well we still use to have many releases on the way, this year was very active with shows, so we started to record new stuff at the beginning of 2017 & we didn’t had time to finish vocals yet, but will do it soon, it must be out in 2018. The biggest part & the serious point is that we will celebrate our 20th anniversary in 2018 & it will be insane, we will announce more dates & tours on our page/website. Thanx Ron for your support, see you all on the road in 2018 & let’s having fun at shows, cheers.





Discography (full lengths only)


  • 2007 Organ maggots
  • 2011 Interstitial lung diseases
  • 2016 Idiopathic pulmonary fibrosis


Info/Contact



SCREAMING FEAST - “The Nigths of Terror”

It really can’t get any more gliché, predictable and stupid than this one… a brand new zombie themed drum machine goregrind project released on no other date than Halloween by a member of Violent Gorge / Archagathus. Just another one of 5 million projects. Hasted up so quick for a punctual release that he even misspelled the title, and remains uncorrected on the Grindfather promo screenshot that followed promptly…. As much as I hate it for all that cock suckery but problem is that motherfuckin load of shit still soaked me in! It appears this demo has been recorded just as quick as the album title has been typed up. Guitar is so overdriven/distorted it sounds like it was recorded directly from amp to line-in of PC, not to speak of the bass that just sounds like a dumb fart. Drums sound a bit odd (but luckily no LDOH snare). Cheap effortless pitch shifter on top. After all dilemmas however I have to admit that shit is awesome because it's just done like that! Even if the guitar sounds so hilariously bad, the riffs are still fuckin great, the songs are all well arranged and short to the point, no bullshitting here. It reminds of that early millennium era projects like D.H. and especially early Blue Holocaust. I guess all the disorientated fuckers into that horrible kind of stuff will fall for this one as well.... Everyone else feel free to make fun of my broken taste in music!

Bandcamp:
https://screamingfeast.bandcamp.com/album/the-nigths-of-terror

SIDETRACKED - “Impendiment”

Ever tried to put 15 tracks into 1:30 minutes? Well SIDETRACKED does it all the time and this release (also available on tape through “To live a lie records”) is no different. The two-piece usually plays this fast hardcore style when they’re almost bordering on grindcore. Great simple but effective riffs, lots of quick fills and breaks and typical hardcore shouting vocals. The only problem with this release is that’s it’s over so quick. I wouldn’t mind if there were 30-40 tracks on it and it still would be under the 5 minutes mark easily. But anyway, the guys still put more effort into those tracks than many contemporary grind bands who just puke out release after release without any style or identity. Even if it’s sometimes hard to distinguish one SIDETRACK song from another, I really appreciate it like each release still sounds little different than the others.

Bandcamp:
https://sidetracked.bandcamp.com/album/impediment

SULSA - “World of sewage”

Excuse my ignorance but I never heard a goregrind band from South Korea before. Here’s one and it’s a fuckin’ bulldozer! SULSA are already around for at least 3 years and in the meantime put out a couple releases. I just discovered them recently and in a perfect timing they promptly released a new tape on Craniophagus Parasiticus Records (CAN). With more tracks than minutes we already know that shit ain’t terribly wrong! No matter if there’s some primitive crust/punk riffs or some mad shredding, it always hits hard and the mix sits just right with me, with a great dirty guitar tone on top!! Vocals are mostly pitch shifted yells but also some screams in between for a change. Drums sound fuckin’ tight and make sure your useless head is blasted into dust properly! I love the raw and crushing sound of the recording, it’s just perfect for this style! Excellent release!!

Bandcamp:

ONIKU / FAECES ERUPTION - split

Here’s the final ONIKU release for now and the maniac slashes through 9 tracks in 9 minutes in typical ONIKU style… drum machine goregrind very much in the (newer) Regurgitate vein. For my taste some of the riffs could be less in a Florida Death metal style. Generally the concept of straight forward goregrind riffs with some more “sophisticated” riffs sounds fresh here, but it’s all done so precisely and polished up and therefore takes away some of the fascination from me.

FAECES ERUPTION from the land of red light, drugs and gore is back after almost a decade and luckily delivers in a rawer filthier style on the flip side. While the quality of some of the older material has been a bit varied, this revived version of F.E. sounds really fresh and re-inspired! You hear a good range of different influences brought into the new tunes, without making it sound too fancy! The gore elements are removed in the meantime but it still sounds like a band of this style. For me this is definitely the winner on this split! Curious on how this project is further evolving!

Bandcamp:

HORRIBLE GELATINOUS BLOB - “Mucopus”

Here’s a short-lived project by a member of Acid Feast from a few years back. Really fast paced, noisy, and aggressive drum machine goregrind with a nice punk/crustcore vibe. Almost sounds like a filthier version of Dysmenorrheic Hemorrhage. You probably missed out on the limited on 25 tape but at least here’s a digital version still available.

Bandcamp: https://hgbnoise.bandcamp.com/album/mucopus-demo

CADAVER PUTREFACTO - “Demo 2013”


This is a great one-man project by the drummer of R.A.S. from Spain! It looks like the only release he ever done so far - please ignore that faggot Death metal band from Argentina with the same name! On this demo you hear mostly cover songs (only 3 out of 14 songs being own tracks) but everything is laid down perfectly with covers from Dead Infection, Mortician, Regurgitate, Dahmer and tons more. The production quality is great and still raw enough, and almost sounds like it was recorded in the late 90th... I barely hear anyone talking about this one so do yourself a favor and give it a chance! I promise it’s better than a lot of today’s bands even though it’s mostly consisting of covers.

Bandcamp:
https://cadaverputrefacto.bandcamp.com/releases

LAST DAYS OF LIVER CIRRHOSIS - “We’re sorry”

Quick project by members of Couple Skate, Flesh Salad and Agonizing Sepsis.

Expect nothing but fast blasting noisecore with pitch shifted vocals. There’s a guitar player in the line-up too but he’s unfortunately buried in the mix and almost inaudible, I wish those guitars were a bit louder. 

Nevertheless, if you ignore (or love) the stupid imaginery then this shit works really great for me when in the mood!

Bandcamp:

GROTESQUE ORGAN DEFILEMENT - “Decade Of Defilement (Lost 08' Session)”


In 2008 G.O.D. re-recorded most of their “Neurofibromatosis” demo (+ 3 new tracks) in a studio. Supposedly this recording session was meant for future split 7” releases but unfortunately they didn’t want to use it after being dissatisfied with the result and a “plethora of logistical problems”. So the band started to re-record the songs once more in the years to come, for example in 2009 for splits with Archagathus and Hyperemesis (partially). This time they recorded the material all on their own again which ultimately resulted in a better sound that fit the band’s vision.

Due to their 10th anniversary G.O.D. decided to pull out the 2008 session again and finally release it. Despite the drum triggers that were used here the result still sounds pretty natural to me. I guess you really need a “drummer’s hearing” to really tell the difference between an unlucky mix or whether the drums are really triggered. The guitars sound great and sharp like on most G.O.D. releases, with influences ranging from Repulsion to Dead infection and Napalm Death. In comparison to their other recordings it still feels like it’s hold back a bit though. The vocals are delivered by all band members again ranging from pitch shifted growls to yelling and screams.

“Decade of defilement” is available on tape from Campaign For Musical Destruction (CAN) and Cadaveric Dissolution Records (RUS).

Bandcamp: